There Are So Many Mediums to Do Art.

My brush collection is huge. I found I can fill a coffee cup with raw beans and poke the handles in to hold the brushes upright. It is easier to select the ones I need.

How do I choose?

First think of what you want to paint.

What medium seems to fit your idea? Follow up by experimenting with one that would be best. It can be a combination of several media or just one. Do a rough painting sketch of the main forms but no details. What color would be best for the main idea or what we call the center of interest?

I do a lot of Mixed Media with acrylics, meaning I might add a paper and collage it on or I might tear up an old painting I do not like, and use the pieces. I think of the style I want to express my idea. Will I use strong outlines? Or smudge the outlines for a filmy look? Be sure to overlap shapes. Don’t leave space around each one have them tough or overlap so the composition flows and there is a sense of direction to move around the artwork.

You are like a symphony director. You need to tell people how to move around your art.

When I select my colors, I consider the art elements like LINE, SHAPE, FORM, TEXTURE, VALUE, COLOR, SPACE (or dimension). My best work uses texture, color and value. Will my texture be real and tactile so that I touch it and feel it? If so, I would choose heavy gels or heavy gesso (pronounced jes-O) to raise up the canvas or paper surface before I paint. If I want the texture to be visual, I will paint the texture into the art.

Because I have been painting for half a century, I am very familiar with the interactions of colors so I try not to mix ones that will make my painting muddy. Is you use a color wheel and do not mix the colors opposite each other unless you really want a gray-brown neutral.. However, I will use opposites, called complements, to dull a too bright color.

For starters, pick 4 colors you seem to use most of the time. Restrict your painting to only those colors and make several sketches with a thin brush. My favorite four are yellow-orange, Golden Quinacridone crimson (or a cool red), Golden turquoise blue and a. blue-violet. Actually if you look at the color wheel, my colors are called a split-complementary color scheme.

https://www.google.com/search?client=firefox-b-1-d&q=color+wheel

Here is a link to several kinds of wheels. Look for the primary triad- red, yellow and blue. Look at yellow orange and blue green. Then find the red and blue. What are the colors on the other sides of red and blue? Try using those with the yellow-orange and blue-green. Paint a bunch of squiggles in each color all over the paper. Allow some to overlap to see what happens. Do you think they complement each other? In other words, do they ‘pop’ when you use them together? This is what you after.

©2018 Marsh Gegerson, High Sierra, Watercolor, 15×17″ $700.

Look at my painting above. I used a split complement scheme. yellow-orange, red, blue-violet and turquoise or blue green. They seem to enhance each other.

Find your colors, your style by using a few of the art elements and make several paintings.

Don’t use them all. Pic two or three. For instance, try outline (line) and shape ( geometric and free form shapes) then add space by overlapping some and leaving one or two alone. Play with it. Don’t get serious about it. Be spontaneous. It will come and soon you will have YOUR style.

Get Unstuck. How to get out of Artist’s Block?

I am in artist block.  Have you ever been there?  This is quite embarrassing for me because I am the one who is supposed to encourage you about growing in creativity.

Part of my block is because I feel under pressure to get a new web site started with at least 10 pieces of work,  pronto.  The first painting I did was fairly good, not absolutely fantastic. The second one was not what I imagined at all.  Actually it stunk. The criteria  for these paintings was to use color schemes like complementary, analogous, primary and so forth. The second painting was with cool analogous colors and seemed boring. So, I added an orange so the colors wouldn’t get muddy over the yellow-green.  Then I got more bold and used magenta to liven things up.  This color has no yellow in it like the orange. My idea bombed and made a ‘do-do mud’ color.   Horrified, I quickly scrubbed  it off with water and gave up.   I hid my work on the floor in the corner of the studio. and told myself that I will deal with it another day.

Sitting in bed at 10pm,  I needed inspiration to “sleep on”,  so I opened YouTube and searched for my creative inspiration person, Flora Boley.  I love her work and she helps me get my head on straight.  I went to bed with visions of paintings floating around in my head.  By morning they were gone.  Poof. Now, I keep a pad and pencil on my nightstand to write a quick word to trigger the image in the morning.

I guess you realize that being creative is not easy (maybe only for Flora) but it is a wonderful way to express who you are in a visual way.  Like me,  when artist’s block hits, I am telling you to not give up.   It is usually because you have put expectations on yourself and you go into left brain analytic thinking, which is not where creativity lives.   It is the right side of the brain that births your originality.  This is the place of abstract thinking which enables you to think “out of the box”.

I have taught this over and over again to my students, so I know this stuff works.  I just got trapped into “thinking” I had it figured out and forgot to just enjoy what I am doing at the moment and trust my inner self.  Listen to me. Keep the critique for the end of the work, then refine it.   Create to enjoy the process.

Thanks for stopping by in this blog. I sincerely want to help you enjoy creating whatever you do. Please share this with anyone who may benefit from my blogs. Happy creating.